Pretty City
Seattle has a wealth of beautiful views, but I think my favorite is checking out the skyline from West Seattle.
I’m rather fond of this view, too.
Seattle has a wealth of beautiful views, but I think my favorite is checking out the skyline from West Seattle.
I’m rather fond of this view, too.
It was the crumbling bricks that first attracted me to the Georgetown neighborhood of Seattle, then the old signs, store fronts, cafes, bars, and the post-industrial, bohemian vibe. I’d driven through before, and promised myself that I would return with my camera when I had more time.
That was a couple years ago.
Last week, as I was driving around with my husband and daughter, looking for something random, and out of the ordinary, my husband suggested we hit Georgetown again.
Eureka.
As I was ooh-ing and aah-ing over the textures and colors of old bricks, facades, and signs, I stumbled backwards into a parking lot. Then, I turned around to discover the Georgetown Trailer Park Mall.
Random.
Out of the ordinary.
My heart swooned.
A caravan of converted trailers, plying assorted wares from handcrafted jewelry and locally produced art, to vintage furs and grandma’s Corning Ware.
I loved the vibe on this bitterly cold and foggy afternoon. I can’t wait to catch the vibe as the weather warms, and the crowds come out to mingle, at ArtAttack, or during a summer happy hour.
What made your heart swoon this week?
Tom Douglas, the guy who arguably put Seattle’s culinary scene on the map, took his place behind the stove of the demonstration kitchen at Macy’s, and started off by saying: “Today I want to talk to you about effort. If there is one thing I want you to take away today, it’s that it’s worth the effort.”
He was talking about cooking at home for your friends and family. He was talking about sharing not just the family recipes, but the stories that went along with them, such as the way the house smelled when his Grandma came to visit and made her famous schnecken, and the benefits of being the biggest kid in a very large family, when they all reached in to grab their favorite bits of the gooey treat.
Take 3 recipes, he said, say for instance one pie, one cake, and one cookie recipe, even if you’re afraid of baking – especially if you’re afraid of baking. Make each one three times, following the directions exactly. The trick to baking well is following the directions. By the third try, you will OWN that recipe.
Pick recipes you want to be known for, and be the person who’s known for bringing it. You don’t have to be a great cook, just well practiced at a few recipes. You can grow your repertoire later, just start with three.
Tom prepared three recipes for us: Grilled Cheese with Caramelized Broccoli Rabe and Fontina, Coffee-Bean Turkey with Sweet Onion Gravy, and Pear Tarts with Dreamy Caramel Sauce.
Now, I don’t have room enough to share all three recipes in one post, so I’ve picked one to share today, perhaps more on another day. You’ll just have to come back and visit my blog again some day. Two of the recipes are from Tom’s new cookbook that he is promoting, The Dahlia Bakery Cookbook. Of course, the recipe I chose to share has something to do with coffee, Coffee Bean Turkey with Sweet Onion Gravy. This recipe is from the Macy’s Culinary Council Thanksgiving & Holiday Cookbook.
Tom Douglas
“Seattle is famous for its coffee. And that inspired me to stuff the turkey cavity with whole roasted coffee beans. Turns out they add a nice toasty-smoky aroma that seasons the bird from within. I leave them in even after the turkey’s done. If a few slip out at the table while I’m carving, it’s a good conversation starter.”
Get this one ready for Thanksgiving:
[amd-zlrecipe-recipe:2]
FTC Disclosure: This is a sponsored post. I was paid to attend this event, but as always, my opinions remain my own.
Women are often well represented in art museums, or at least their bodies are. They are pinned right there to the wall.
The current show at the Seattle Art Museum takes aim at that issue. Anchored on the groundbreaking Paris exhibition, Elles: Women Artists from the Centre Pompidou, Paris, Elles puts the focus on the vision and craft of female artists. Just as our understanding of history changes, expands, and takes on new depth and texture when the voices of women are added, so to does the addition of female artists change our understanding of art history, as well as informing history itself.
This show does not attempt to represent women from all cultures everywhere throughout history. The scope and breadth of such an ambitious project could no more adequately represent women around the world, than it could men. Just because female artists were largely ignored does not mean they were not prolific. This is a showcase of mostly European female artists in the 20th and 21st Centuries. There is a need to address art created by women of other cultures and times, but that necessitates not just one, but many more shows. I hope someone gets busy curating some of those shows soon.
The Seattle Art Museum is coordinating with a number of organizations and venues throughout the Seattle area to celebrate women artists, ongoing through January 2013, including musical events, films, lectures, and a symposium.
Elles showcases the work of more than 75 women artists. I’m tempted to wax on philosophically about each of these pieces that I’ve selected, but each time I return to these images, I have something additional to say. I’ll never get this post up at this point, so I’ll just leave you with a few of my favorites. If I could take one home and just sit and stare at it all day long, it would Espagnoles (above). It just pulls me in.
On the other hand, there is, La Chambre Bleue (The Blue Room), above. I hated this piece at first. It was featured on much of SAM’s promotional material, and I couldn’t figure out why. It really bugged me. But, the more I look at it, the more I see. The picture has grown on me, and now it’s one of my favorites.
Frida Kahlo lived in my imagination as a larger than life figure. Her self portrait on the wall, at eye level, stopped me short. It was so much smaller than I expected. And tangible. Suddenly, behind the tiny painted glass, she was less mythical, and more a woman, with hopes and dreams and fears and insecurities. She became real. And maybe that’s part of the point of the exhibit, as well. Beyond drawing our attention to these amazing works by female artists, this show reminds us that women in art, whether subject, artist, consumer, or all three, are individual people. Not objects, myths, or concepts; just people, connecting with other people.
FTC disclaimer: I received free admission to the Seattle Art Museum, and permission to take photographs of the exhibits.
Autumn always sneaks up on me.
Back to school sales start when the temps are still in the 90s. The thought of wearing leather, or wool, or flannel is laughable. The sun sets a little earlier, but not so early as to impact my day. And the trees might start to take on a little more color, but I’m never really sure whether it’s because fall is coming, or that we just went six weeks without rain.
*Seattlites don’t really want outsiders to know that it rarely rains here in August and September, so shhhh…. let’s just keep this between us.
We live on a little lake, populated by ducks year round. Theses ducks are a part of our landscape, any time of year. In the spring, they’re accompanied by ducklings, following their mama around the lake, until one day I notice that mama duck is accompanied by smaller ducks. By the time fall comes around, I can no longer distinguish the parents from their offspring.
The trees around the lake are just starting to show a hint of red and gold. The color change happens gradually, but I never experience it that way. One morning, in the not too distant future, I will look out over a brightly colored landscape and wonder when this transformation occurred.
It happens this way every year.
Just as every few months I look at my daughter and wonder when did she get so big, but she was maturing right under my nose all along.