Women are often well represented in art museums, or at least their bodies are. They are pinned right there to the wall.
Ensemble of posters, Guerrilla Girls American artists, active since 1985 variable Centre Georges Pompidou, Museé national d’art moderne, Paris, T2011.206.101
Women artists are not so well represented
The current show at the Seattle Art Museum takes aim at that issue. Anchored on the groundbreaking Paris exhibition, Elles: Women Artists from the Centre Pompidou, Paris, Elles puts the focus on the vision and craft of female artists. Just as our understanding of history changes, expands, and takes on new depth and texture when the voices of women are added, so to does the addition of female artists change our understanding of art history, as well as informing history itself.
This show does not attempt to represent women from all cultures everywhere throughout history. The scope and breadth of such an ambitious project could no more adequately represent women around the world, than it could men. Just because female artists were largely ignored does not mean they were not prolific. This is a showcase of mostly European female artists in the 20th and 21st Centuries. There is a need to address art created by women of other cultures and times, but that necessitates not just one, but many more shows. I hope someone gets busy curating some of those shows soon.
The Seattle Art Museum is coordinating with a number of organizations and venues throughout the Seattle area to celebrate women artists, ongoing through January 2013, including musical events, films, lectures, and a symposium.
Espagnoles, (1920-1924) Oil on canvas Natalia Gontcharova Russian, 1881-1962 36 1/4 x 28 3/4in. (92 x 73cm) Overall h.: 37 3/8in. (95cm) Overall w.: 29 15/16in. (76cm) Centre Georges Pompidou, Museé national d’art moderne, Paris; AM 3111 P, T2011.206.135
Elles showcases the work of more than 75 women artists. I’m tempted to wax on philosophically about each of these pieces that I’ve selected, but each time I return to these images, I have something additional to say. I’ll never get this post up at this point, so I’ll just leave you with a few of my favorites. If I could take one home and just sit and stare at it all day long, it would Espagnoles (above). It just pulls me in.
La Chambre Bleue (The Blue Room), 1923 Oil on canvas Suzanne Valadon (born Marie-Clémentine Valadon) (born Marie-Clémentine Valadon) French, b. 1865, Bessines-sur-Gartempe, France; d. 1938, Paris, France 35.4 x 45.7 inches (90 x 116 cm) Centre Georges Pompidou, Museé national d’art moderne, Paris State purchase and attribution 1924, T2011.206.1
On the other hand, there is, La Chambre Bleue (The Blue Room), above. I hated this piece at first. It was featured on much of SAM’s promotional material, and I couldn’t figure out why. It really bugged me. But, the more I look at it, the more I see. The picture has grown on me, and now it’s one of my favorites.
The Frame, (1938) Oil on aluminum, reverse painting on glass and painting frame Frida Kahlo Mexican, 1907-1954 11.2 x 8.1 inches (28.5 x 20.7 cm) Centre Georges Pompidou, Museé national d’art moderne, Paris State purchase and attribution, 1939, T2011.206.48
Frida Kahlo lived in my imagination as a larger than life figure. Her self portrait on the wall, at eye level, stopped me short. It was so much smaller than I expected. And tangible. Suddenly, behind the tiny painted glass, she was less mythical, and more a woman, with hopes and dreams and fears and insecurities. She became real. And maybe that’s part of the point of the exhibit, as well. Beyond drawing our attention to these amazing works by female artists, this show reminds us that women in art, whether subject, artist, consumer, or all three, are individual people. Not objects, myths, or concepts; just people, connecting with other people.
FTC disclaimer: I received free admission to the Seattle Art Museum, and permission to take photographs of the exhibits.
People ask me what my blog is about, and every time I pause. I know I’m supposed to have an elevator speech prepared, I guess it’s time I start thinking about that.
This blog has been through so many iterations. I started the first CoffeeJitters blog on LiveJournal back in 2001. It’s hard to believe it’s been more than ten years since that first blog post. A lot has changed over that decade.
CoffeeJitters has been a single girl making her way in the world blog, a wedding blog, an infertility blog, a photography blog, a quitting my job and going back to school full time blog, a wow! I’m pregnant! blog, a mommy blog, a cancer blog, and a relearning how to dream after cancer blog.
Mostly, it’s a love letter to my daughter and husband, and an ongoing autobiography. It is my story, and my practice honing my voice. It is my chance to be heard.
I think in a way, that’s what a lot of us bloggers are doing. I keep picturing all the bloggers of the world at their computers furiously typing away in a clackity-clack version of the Whos that Horton heard, yelling at the top of their lungs, “We Exist!”
Blogging allows us to make our mark on the world. To show that we exist. To have a voice and have it heard. To contribute to the ongoing story of the human race.
My studies recently have centered a great deal around women’s history throughout the world, and the difficulty involved in truly understanding what a woman’s life was like. Mens stories were recorded, by men. Women’s stories… not so much.
I look at blogging in comparison to that and I think: what a gift we are leaving for future generations. Is there any comparable resource in history to the wide range of women’s stories now available? Sure, there’s a good deal of exaggeration. That also exists in our history books. But there is so much more variety of stories and lifestyles represented. I’m proud to be a part of this movement. I’m so happy that future generations will have such a wealth of information about their ancestors – us. (On second thought, maybe I’d better go clean up a few of my posts)
Whidbey Island Writers Association hosts an open house the first Tuesday of every month at the Rockhopper in Clinton. This Tuesday I hopped on a ferry to Whidbey Island to attend the meeting. I’m so glad I did.
The focus of the July meeting was Hedgebrook, a retreat for women writers that is located on Whidbey Island. A thousand women from around the world have been hosted for residencies of two weeks to two months. The retreat can host six women at a time, each in one of six cabins. A seventh cabin hosts an established writer in residence. Gloria Steinem is the most recent writer in the seventh cabin.
The tagline at Hedgebrook is Women Authoring Change.
Gitana Garafalo, Director of Alumnae Relations at Hedgebrook, was the speaker Tuesday night. An engaging speaker, Garafalo was passionate about Hedgebrook and as an alumna herself, she is particularly knowledgeable.
I had the best of intentions to take wonderful notes on all the Hedgebrook details, but upon reviewing my notes I discovered I had, through the course of the meeting, written 4 pages of story ideas and outlined a couple projects. Just sitting in that room full of writers inspired me in my own writing.
To the aspiring writers in the crowd: Have you ever gone out of your way to put yourself in a (real world, not online) room full of writers? If not, I highly recommend you give it a try.
Both Hedgebrook and Whidbey Island Writers Association offer numerous literary events throughout the year. Stop by their websites to see if they offer something that might ring your bell.
CoffeeJitters is an affiliate to a number of sites and services. I do not endorse products I don't love. I may receive compensation if you purchase items from links on this website.
